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MUSIC FOR THE MASSES

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It was preceded by the singles "Strangelove", released on 13 April, " Never Let Me Down Again", released on 24 August. Two other singles followed the release of the album, one being " Behind the Wheel", released 28 December, and the other being " Little 15", which was released on 16 May the following year. This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. ( June 2023) ( Learn how and when to remove this template message)

Lazell, Barry (1997). "Depeche Mode". Indie Hits 1980–1989: The Complete U.K. Independent Charts (Singles & Albums). Cherry Red Books. ISBN 0-95172-069-4. Archived from the original on 5 February 2009 . Retrieved 10 May 2022. Behind The Wheel is next, one of the more popular singles from the Album. I Want You Now is probably DM's most straightforward song. That made it unexpected, as the meaning of their songs is usually hidden below the surface, and crawl up slowly. But there is absolutely no mistaking what this song is about. I would say that this song is sexuality that drives right to the point, whereas the songs are usually soaked with sensuality that creeps up on you. I didn't like this song the first couple of times I heard it, for that reason. But it grew on me, and now I love it. Mathur, Paul (3 October 1987). "Rubber Bullets". Melody Maker. London. ISSN 0025-9012 . Retrieved 5 January 2014. European Charts of the Year 1987 – Albums" (PDF). Music & Media. Vol.4, no.51/52. 26 December 1987. p.35. OCLC 29800226– via World Radio History. European Hot 100 Albums" (PDF). Music & Media. Vol.4, no.42. 24 October 1987. p.22. OCLC 29800226– via World Radio History.Oficjalna lista sprzedaży:: OLiS - Official Retail Sales Chart". OLiS. Polish Society of the Phonographic Industry. Retrieved 30 March 2017. I'm really not a big fan of Martin Gore's voice, and I think it sums up my problems with this album - it's simply not trying hard enough. It has the ideas and ambition, but falls into the same category as the rest of 80's alternative pop. His voice carries the same melodramatic, overcorrect timbre that I hear too often from this era of music. It's an objectively good singing voice, but that's it. Just like the music, which is trying to be haunted, foggy, and dark, there's no necessary push to make it memorable.

Band members Andy Fletcher and Martin Gore both explained the album's title was conceived as a joke, after Gore found an old album called "Music for the Millions." [9] Fletcher said, "The title's... a bit tongue-in-cheek, really. Everyone is telling us we should make more commercial music, so that's the reason we chose that title." [8] According to Gore, the title "was a joke on the uncommerciality of [the album]. It was anything but music for the masses!" [10] Cover art [ edit ] Offiziellecharts.de – Depeche Mode – Music for the Masses" (in German). GfK Entertainment Charts. Retrieved 15 January 2019. Abebe, Nitsuh (20 July 2006). "Depeche Mode: Speak & Spell / Music for the Masses / Violator". Pitchfork . Retrieved 14 October 2013.Music Direct reserves the right to change the terms of this promotion or discontinue this offer at any time.

Not to forget 'I Want You Now', one of Gore's beautiful a capella episodes - once again questioning both, time and lust, built on a simplified male-female sigh-snippet - sliding into a spy-like theme, 'To Have And To Hold'; indecipherable radio message giving the impression of voices echoing in one's head, all paranoia with morally induced lyrics. 'Nothing' is another impressive standard which sadly wasn't given a chance as a single - its an effectively negative statement, which indirectly (in terms of lyrics) echoes Gore's spiritual and materialistic doubts, once expressed in 'Everything Counts' and 'Blasphemous Rumours'. The tour began in October 1987 with a European leg, starting in Madrid and finishing mid-November in Paris. In early December, a North American run commenced in San Francisco and culminated three weeks later in New York City.

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In January 1988, the group played an eleven-date U.K. tour, which was followed by further dates in Europe beginning in Hamburg, West Germany in early February. The leg wrapped up in Vienna in late March. Pennanen, Timo (2006). Sisältää hitin – levyt ja esittäjät Suomen musiikkilistoilla vuodesta 1972 (in Finnish) (1sted.). Helsinki: Kustannusosakeyhtiö Otava. ISBN 978-951-1-21053-5. Malins, Steve (2001). Depeche Mode: A Biography. Cooper Square Press. p.121. ISBN 978-0-8154-1142-0. The documentary, a 37-minute short film titled Depeche Mode: 1987–88 (Sometimes You Do Need Some New Jokes), is an extensive look at the album, featuring commentary from a wide variety of people, including the current Depeche Mode, former member Wilder, producer David Bascombe, Daniel Miller, Daryl Bamonte, Atkins, Anton Corbijn, and others. The documentary features new facts on the album, and also an extensive look at the film 101.

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