The Feather Banjo Pickup with Flexible Micro-Gooseneck by Myers Pickups

Product Information

The Elite Flying Eagle is a high-end banjo that’s closely modelled on an icon, the Gibson Mastertone series of the mid-1920s through the 1930s. Before the Mastertone, Gibson’s attempt at making a banjo that could compete with those from Epiphone, Paramount and Vega was pitifully poor. Frankly, it was so awful that it risked damaging the reputation of the Gibson brand. Not happy, legend has it that Gibson’s top brass commissioned gifted luthier Lloyd Loar to build a banjo that would silence the competition forever. The result was the Mastertone, with its distinctive, innovative large hollow metal tone ring and incredible tone. Excellent intonation is achieved through the use of maple/ebony bridges, natural bone nuts, and chrome die-cast tuners. At this price, it’s very tempting to add a different sonic flavour to your quiver of banjos isn’t it? Especially, if two of you in the band can spar against one another. We wouldn’t necessarily recommend the Dirty 30s Tenor to a beginner, despite the price. Yet, as a second instrument it makes a wonderful choice that offers so many creative opportunities. When mic’ing a banjo for a live performance, there are several factors to consider. Here are some tips to help you get the best sound possible: Tip: Having your banjo head tuned appropriately for your banjo is a must if you want to get the most out of your instrument with the least amount of effort.

It fits dual-coordinator rod banjos, but it can be modified to fit single-rod banjos as well (we suggest finding a qualified tech to help you with this). The Luna Moonbird 6 String Banjo is the perfect choice for you if you’re looking to buy a six-string banjo that will produce an individual sound. It’s simple and allows beginners to learn easily, which makes it a great instrument for young musicians as well. However, people who love traditional tones in their playing style may have some difficulty learning this particular one because of its design. In addition to close-mic’ing the banjo, you may want to consider using a room microphone to capture the natural reverb and ambience of the recording environment. A room mic can add depth and dimension to your recording and help create a more natural, organic sound. Place the room mic several feet away from the banjo, facing the instrument, and experiment with the distance and placement to find the best sound.

The product is internally powered and it is fully equipped to produce the richest sound that is made by your instrument. When recording a banjo in a studio, you have the luxury of experimenting with different microphone placements to find the best sound. Here are a few techniques to try: It’s a pro in the sense that professionals know what they’re doing and can help you achieve optimal performance.

It is essential to note that battery life can vary significantly depending on the individual’s playing habits. Players who perform more frequently or use their banjo for extended periods may find that their batteries need to be replaced more often. On the other hand, those who play less frequently may experience a longer battery life. It is an extremely reliable and simple to install mounting system. The product is also compatible technically and aesthetically with many types of banjos.Place the microphone about six to eight inches away from the banjo’s head, pointing towards the bridge. Another cool thing is, you can simply unscrew the volume control if you want to play at a jam or a session and look 100% acoustic. But it's not necessary, it is unobtrusive. I suggest going to a music store that specializes in electric and acoustic guitars and play through as many amps as possible to find the one YOU like. Electric guitar amps or acoustic guitar amp, you won’t know which is best for you till you play through them. Take a bandmate to get a second opinion!