Omnisphere 2

Product Information

Omnisphere Synth includes a stunning new “Hardware Library” with over 1,600 new patches created by Eric Persing and the renowned Spectrasonics Sound Development team. Each hardware profile has a corresponding set of sounds in the Hardware Library which were specially designed using that hardware synth as the controller. These inspiring new sounds feature a wide range of categories and many have a distinctly ‘classic’ flavor! Notably, the 2.6 update takes Eric’s classic sound design work from the original 1987 Roland D-50 into completely new sonic territory with Omni sphere’s vast synthesis capabilities. Best of all, the new sounds are available for ALL users, regardless of using the hardware or not! Since the beginning, It has been the sonic weapon of choice for creative players and producers in search of next-level sounds on hit records, bestselling games, and Oscar-winning films. Omni sphere’s amazing sound library is constantly growing and being pushed in fresh directions by the award-winning Spectrasonics Sound Development Team.

Not only do the 4 oscillators come with a huge range of digital and analog wavetables, but they offer incredible functionality to alter the sound of the recorded samples included with Omnisphere too. It’s ideal to get both if you have the money. All Spectrasonics instruments work with Omnisphere, meaning you can use the sounds from Keyscape (or Trilian) in Omnisphere when creating sounds. There are also other cool features like micro tuning, options to glide all oscillators (sounds amazing for dissonant chords), velocity curve settings and options to increase or decrease the voice number of the whole patch.Alongside this, there are other useful things like the way in which your Omnisphere loads samples. You can alter the sample memory size and alter the pre-load memory + stream brake. This is less useful, but can help when your computer is a little slow. The Technical Stuff System Requirements If you’re more into electronic sounds, there’s also a vast library of sampled synthesizers, circuit bended toys and even synths created by the Spectrasonics team out of an Altoids case. When talking about features and use cases, Omnisphere is the better choice. However, they are different instruments. Omnisphere is a sound design powerhouse, where Keyscape is the most realistic library of collector keyboards. If you want endless sound design possibilities, go with Omnisphere. If you want great piano sounds, go with Keyscape.

Omnipshere is a CPU eating beast. It’s also pretty heavy on your RAM and can be extremely slow if you don’t have a fast enough hard drive. It’s recommended that you install it on an SSD for the fastest loading speeds. You can additionally export the arpeggiator patterns as a MIDI file and use it to play your other instruments that aren’t Omnisphere.

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Simply put, this ground-breaking feature makes using the program feel just like using a hardware synth! By bridging the physical experience gap between software and hardware, users gain intuitive control of the Omni sphere app by using the familiar layout of their supported hardware synth. Virtual instrument users can now experience the joy of the hardware synth workflow and hardware synth users can fully expand their capabilities into the vast sonic world of the app! For instance, you could take a combination of samples and wavetables, then individually apply granular synthesis, unison, waveshaping, ring modulation, FM or Harmonia. You can use many of these features together to create already textured sounds, without even reaching for the FX units.

The only downside to Omnisphere is the price and the amount of CPU it devours. Be wary if you don’t have a powerful enough computer to run it. This is apparently due to the nature of the instrument library and the size of it. Quite a poor excuse for such a massive company. There is definitely a way some kind of free trial could be implemented. Many other instruments with huge libraries are able to do this by adding white noise, or some kind of audio watermark to sounds. This creates the possibility for constantly evolving and intruiging sounds – giving you an edge in your productions. Professional-grade FX, Modulation & Automation For a power synth, Omnisphere’s interface is actually very appealing and un-overwhelming when compared to something like Falcon. It’s easy to navigate, and you’ll find yourself at home creating synths in Omnisphere in no time.Expanding on this, Omnisphere offers 8 different instances of these 4 oscillators… can you see how powerful this is getting now? There’s a separate “multi” window that provides level mixing for these instances, with options to add FX to each layer independently or add the FX to buses – almost acting as a fully-fledged DAW/synth hybrid.

Serving the United States, Latin America, Asia, and other emerging markets, our team of highly competent experts possesses the experience, the market understanding, and the determination to deliver quality, integrity, and customer satisfaction in nearly everything that we do. When you have a lower number of instances open, it’ll be far tamer – and, it’s really once you start to get into the more intricate sound design, with more layers, effects and modulation, where CPU will become a problem. Omnisphere crowns the name “power synth” because it’s a piece of software that you can do almost anything with.

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Hardware Requirements – PC: 2.4 GHz Dual Core Processor or higher, 8GB RAM minimum, 64GB free drive space There is also an “orb” function that controls a series of what sounds like filters, delays and other effects. This can act as a great tool for live modulation and is similar to the X, Y controllers you get on some synths.