Panasonic LUMIX DC-TZ95D Superzoom Digital Camera, 24-720mm Optical Leica Zoom Lens, 20.3 MP, Panorama Selfie, 4K Function, Black

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It measures 0.21 inches in size and has a magnification of 0.53x in 35mm terms, versus the 0.20-inch size and 0.48x magnification of the ZS80. One of our main gripes about the ZS70's viewfinder was its size, so this update, while modest, is definitely a welcome one. Please complete the form below for a quote - Please be as accurate as possible to help us give an accurate quote. On such a small body with a touchscreen, one issue you encounter when using the viewfinder is that your nose can easily press the LCD and send the focusing point elsewhere. You can disable the Touch Pad AF feature to prevent this from happening, but then you also lose the luxury of using this feature to adjust the AF point with the touchscreen when you're looking through the viewfinder.

AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Color Temperature Setting/(2-axis adjustable) f = 4.3 - 129mm/(24 - 720mm in 35mm equiv. in 4:3)/(25 - 750mm in 35mm equiv. in 3:2)/(26 - 780mm in 35mm equiv. in 16:9)/(28 - 840mm in 35mm equiv. in 1:1)/(35 - 1050mm in 35mm equiv. in 4K PHOTO recording)/(35 - 1050mm in 35mm equiv. in 4K video recording)/(26 - 780mm in 35mm equiv. in 16:9 video recording / O.I.S. Off / Level Shot function Off)/(28 - 840mm in 35mm equiv. in 16:9 video recording / O.I.S. On / Level Shot function Off)/(30 - 900mm in 35mm equiv. in 16:9 video recording / O.I.S. On / Level Shot function On) TZ95: Max. 4x (When Digital Zoom is used simultaneously with Intelligent Zoom, you can only increase the zoom ratio up to 2x.)/TZ96/TZ97: Max. 2x Tripods with Head Tripod Heads Video Heads Ball Heads Three Way Heads Specialist & Gimbal Heads Tripod Legs Tripod Accessories Mini Tripods & ClampsOn the top is a mode dial for moving between the different exposure modes the camera offers. Enthusiasts will be pleased to note the manual and semi-automatic options here (it also shoots in Raw format), while point-and-shooters are catered for by automatic and scene modes. Photos with flash show no signs of red-eye, and the camera has used a fairly low ISO speed. Dynamic range is quite good, with the camera avoiding over-exposure where possible. You can use the iDynamic option or HDR option to record an extended dynamic range in images.The HDR shooting mode is found in the menus but isn't available if you're shooting raw, and can result in a softer image, albeit with improved dynamic range.

The Lumix DC-TZ95D has a focal length of between 24mm and 720mm thanks to the 30x optical zoom. What size is the Lumix DC-TZ95D? If we’ve a grumble, however, it’s that this isn’t perhaps a camera for shooting in very low light, especially if handheld, as we discovered on our travels, whereby the effects of camera shake are obvious. The fact that the ISO range tops out at a modest selectable ISO3200 at least means that the worst effects of image noise are avoided – we’d advise shooting up to ISO1600, however and leaving it at that, if you want to avoid a noticeable softening and degradation of the image entirely. Twenty megapixels is quite a lot to cram onto a 1/2.3-inch sensor – it’s probably the most you’d want to – so inevitably something has to give.

When every frame counts, there’s burst shooting mode. Here you can shoot at 10fps (frames per second) using single-point auto focus, or 5fps with continuous focusing, up to a maximum of 26 images. Auto*, Auto/Red-eye Reduction*, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off *For iA, iA+ mode only./0.6 - 5.6m (Wide / ISO Auto), 2.0 - 2.9m (Tele / ISO Auto) Used Lenses for Mirrorless Cameras Used Lenses for Canon EOS R Used Lenses for Nikon Z Used Lenses for Sony Alpha Used Lenses for L-mount Used Lenses for Fujifilm X Used Lenses for Micro 4/3 Used Lenses for Canon EF-M Used Lenses for other Mirrorless Cameras Looking to upgrade your equipment? Get competitive prices on major brands with our part-exchange service. FHD/50p: Approx. 50 min (rear monitor), 45 min (LVF)/FHD/50i: Approx. 50 min (rear monitor), 50 min (LVF)

As well as the new vlogger tools, older models to compare and contrast with the TZ95 include the Canon PowerShot SX740 HS. This boasts a similar form factor yet has a broader focal range courtesy of a whopping 40x optical zoom. Just like the Panasonic it offers a 20.3 megapixel 1/2.3-inch sensor, and under ideal daylight conditions provides color-rich, punchy images requiring little if any image adjustment afterward.On-camera Lighting Flashguns Canon Fit Flash Sony Fit Flash Nikon Fit Flash Fujifilm Fit Flash Micro Four Thirds Fit Flash Panasonic Lumix S Fit Flash Flash Accessories LED Camera Lights

So it’s not a massive update, but while there may not be a lot that’s new, the TZ95 / ZS80 inherits the multitude of features that made its predecessor, and indeed all the TZ / ZS models before it, such a big hit with consumers. These include a 3 inch 1040k dot tilting touch screen, separate mode dial for exposure settings, a programmable lens ring, 10fps continuous shooting plus 8 Megapixel 4K modes at 30fps, 4K video, and RAW shooting. LVF (Live View Finder) (2,330k dots equiv.), Field of View: Approx. 100%/Magnification: Approx.0.53x (35 mm camera equivalent) Overall though, we were pretty happy with the shots we got from the Panasonic Lumix TZ95, particularly given the limitations outlined above. But then we were unusually blessed with plenty of spring sunshine... The 1/2.3-inch CMOS sensor that holds 20.3MP appears to be the same as the one in the ZS70, as does the 30x LEICA DC VARIO-ELMAR optical zoom lens that covers a 35mm-equivalent range of 24-720mm; and thankfully this is stabilized, so that it can continue to deliver sharp images regardless of where you are in the focal range. The current range offers a huge choice of speed, image quality, movie quality, zoom range and much, much more.The top plate of the Panasonic TZ95 is likewise familiar and straightforward in terms of layout and operation. The shutter release button is raised and encircled by a lever for operating the zoom, so you can’t mistake what it is, next to which are two smaller nail-head sized buttons, flush to the bodywork. These are for turning the camera on or off, or commencing video recording – said function denoted by the familiar red dot.