About this deal
Being able to perform stabilization in the editing suite instead of in a separate piece of software — as is the case with Sony’s cameras, where a dedicated app called Catalyst Browse must be used for stabilization — makes for a faster workflow. Shooting Resolutions: 6144 x 3456 (6K) up to 50 fps, 6144 x 2560 (6K 2.4:1) up to 60 fps, 5744 x 3024 (5.7K 17:9) up to 60 fps, 4096 x 2160 (4K DCI) up to 60 fps, 3840 x 2160 (Ultra HD) up to 60 fps, 3728 x 3104 (3.7K 6:5 anamorphic) up to 60 fps, 2868 x 1512 (2.8K 17:9) up to 120 fps, 1920 x 1080 (HD) up to 120 fps The 6K G2 comes with an activation code for a full version of Davinci Resolve Studio. This is a professional video editing software that is used by many in Hollywood to edit high-end feature films, television shows, commercials and more. broadcast connector for compatible lenses and electronic control via EF mount pins on optional EF lensmount. Dynamic Range
Pocket Cinema Camera – Tech Specs | Blackmagic Design
Automatically populated lens data from electronic Micro Four Thirds lenses. Automatic recording of camera settings and slate data such as project, scene number, take and specialnotes. Controls Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in videomode. Screen Dimensions Automatically populated lens data from i/Technology with compatible PL lenses and electronic EF lenses when using optional EF lens mount. Automatic recording of camera settings and slate data such as project, scene number, take and specialnotes. Controls
Iris wheel and touchscreen slider for manual aperture adjustments of electronically controllable lenses / Iris button for instant automatic aperture adjustments of compatible lenses Unlike modern autofocus systems, the BMPCC only focuses on the center of the frame, and there are no points to move around to select a subject elsewhere. The result is a system better used in manual focus, with autofocus only to help jump to a starting point.
Blackmagic Design Pocket Cinema Camera – Tech Specs | Blackmagic Design
The ND filters in the 6K Pro are motorized, although not variable. That’s not uncommon, and the ND filters in the Sony FX series of cameras function similarly. But the fact they exist is really nice, as the mechanized ND filter makes on-the-fly adjustments easy and having the filter in the body means you can adjust incoming light for any lens mounted to the camera.This is a big camera. It gets even bigger when you put a lens on the front because the body has to accommodate the extra flange depth of the EF mount lenses, even if it doesn’t have a mirror. Officially, it only supports EF lenses, but we've heard from users who use EF-S lenses too. One of ours (a Canon EF-S 18-55mm kits lens) didn't seem to want to fit but another, a Tokina 12-24mm f/4 APS-C lens, went on fine. If you’re already familiar with the original BMPCC 6K, you may already know all the basic specs that carry over to the G2. But just in case you need a refresher, here’s a recap: Its price made it an excellent choice for students, new cinematographers, and users of higher-end gear that needed a b-camera or crash camera. However, it was not known for its robust feature set or durability (and it would very easily overheat), but it did everything you could need at that price and did it with a fantastic menu system to boot.
Blackmagic URSA Mini Pro | Blackmagic Design Blackmagic URSA Mini Pro | Blackmagic Design
The 6K G2 can take high-res still images of up to 21.2MP and are saved as fully uncompressed DNG frames for maximum image quality. We don’t have too much to say about the image quality because we had to raid the cupboards for a couple of EF lenses to use it with, and they weren’t the best examples of modern optical science.DCI standards: 4KDCIp/23.98 / 4KDCIp/24 / 4KDCIp/25 / 4KDCIp/29.97 / 4KDCIp/30 / 4KDCIp/50 / 4KDCIp/59.94 / 4KDCIp/60 While the in-software stabilization of footage from the BMPCC is excellent, as with many of the top-end software-stabilized options out there, it’s impossible to know what the crop will look like until stabilization is complete. x 2592, 4608 x 1920, 4096 x 2304, 4096 x 2160, 3840 x 2160, 3072 x 2560, 2048 x 1152, 2048 x 1080 and 1920 x 1080