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Smiffys Deluxe Henry VIII Costume, Red with Jacket & Trousers, Historical Fancy Dress, Adult Dress Up Costumes

£18.985£37.97Clearance
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All women covered their hair first with a linen cap and then the rich would place a decorative hood on top of this. It would have decorative frills at the neck and wrists which, unlike in the twentieth and twenty-first centuries, were considered masculine embellishments. Later in Elizabeth’s reign certain aspects of these restrictions were loosened through the growing import market. Lacing was carried to extremes, so that the body was pinched into the hard roll-like appearance always identified with this time; on the other hand, many, wiser women I should say, were this the place for morals, preferred to lace loose, and show, beneath the lacing, the colour of the under-dress. So well known is the story of Sir Philip Calthrop and John Drakes the shoemaker of Norwich, who tried to ape the fashion, that I must here allude to this ancestor of mine who was the first of the dandies of note, among persons not of the royal blood.

The Irish were forbidden by law to wear a shirt, smock, kerchor, bendel, neckerchor, mocket (a handkerchor), or linen cap coloured or dyed with saffron; or to wear in shirts or smocks above seven yards of cloth. It was, as I have described, made very square and full at the elbow, and over this some ladies wore a false sleeve of gold net - you may imagine the length to which net will go, studied with jewels, crossed in many ways, twisted into patterns, sewn on to the sleeve in sloping lines - but, besides this, the sleeve was turned back to form a deep square cuff which was often made of black or coloured velvet, or of fur. The kirtle would include a front panel of fabulous material in a colour which complemented the main fabric. Towards the end of the reign, foreshadowing the Elizabethan jerkin or jacket, the custom grew more universal of the coat with sleeves and the high neck, the bases were cut shorter to show the full trunks, and the waistcoat was almost entirely done away with, the collar grew in proportion, and spread, like the tail of an angry turkey, in ruffle and folded pleat round the man's neck.

You may see for the later pictures of his reign a great bloated mass of corpulence, with running ulcers on his legs and the blood of wives and people on his hands, striding in his well-known attitude over the festering slums his rule had produced in London. Famous for his furious temper and tendency to execute anyone and everyone that angered him, including his own wives, it’s clear it was important to him that he made an impression.

Both men and women wore something on their heads: this would change with the occasion and time of day. National Maritime Museum Free displays Pioneers: A Renaissance in South Asian Creativity A series of portraits of South Asian creative individuals, on display at the National Maritime Museum. Separate pairs of sleeves were worn with the waistcoats, or with the petti-cotes, a favourite sleeve trimming being broad velvet bands. Women of great wealth, such as a queen and her female attendants, would traditionally wear a farthingale as a starting point for their attire.At last one arrives at the diamond-shaped head-dress worn in this reign, and, in this reign, elaborated in every way, elaborated, in fact, out of existence.

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